By Ivan Sanchez
Arna Bontemps, a pivotal figure of the Harlem Renaissance, made significant contributions to literature and African American culture during his tenure in Nashville, Tennessee. Born in Alexandria, Louisiana, on October 13, 1902, Bontemps relocated to Nashville in 1943, where he served as a librarian and professor at Fisk University until his retirement in 1965.
At Fisk University, a historically Black institution renowned for its contributions to African American culture, Bontemps curated and expanded the university’s special collections related to African American literature and history. His role as a librarian allowed him to preserve and promote works by African American writers, ensuring their recognition and accessibility within academia and beyond.
During his time in Nashville, Bontemps continued to write prolifically, contributing to both fiction and nonfiction genres. His literary output included novels such as “Black Thunder” (1936) and “Drums at Dusk” (1939), which explored themes of African American identity, history, and social justice. His poetry collections, including “Golden Slippers” (1936) and “No More Auction Block” (1937), further solidified his reputation as a leading voice of the Harlem Renaissance.
Beyond his literary endeavors, Bontemps engaged actively with the Nashville community, participating in cultural events, lectures, and discussions that enriched the city’s intellectual landscape. His presence at Fisk University fostered an environment of academic rigor and cultural exploration, influencing generations of students and scholars.
Throughout his career, Bontemps remained committed to promoting African American literature and history, advocating for its recognition and study in mainstream academic circles. His efforts at Fisk University underscored his belief in the importance of education as a tool for social change and empowerment. Arna Bontemps’ legacy in Nashville continues to resonate through his writings, archival work, and dedication to advancing African American culture. His contributions not only enriched the literary world but also inspired ongoing conversations about race, identity, and equality in America. Bontemps passed away on June 4, 1973, leaving behind a lasting impact on literature and cultural history. TNTRIBUNE